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Jay-Z Uses GQ Interview to Address Lawsuit, Warns of Costs of Hip-Hop Feuds

In GQ’s April issue, the rapper opens up on three decades in music, the Kendrick Lamar–Drake feud, and why he refused to settle a sexual-assault lawsuit, calling the experience “heartbreaking” and “uncontrollable anger.”

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Jay-Z. PHOTO: Getty Images
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Hip-hop entrepreneur and performer Jay-Z said the recent feud between Kendrick Lamar and Drake crossed a line by extending beyond music into personal attacks, while also addressing his decision to fight—rather than settle—a sexual-assault lawsuit he described as unfounded.

In a wide-ranging exclusive sit-down with GQ magazine, Jay-Z addressed the evolving dynamics of hip-hop rivalries and his personal legal battles, offering rare public insight into both his views on the Kendrick Lamar–Drake feud and his decision to fight a sexual-assault lawsuit rather than settle.

The interview anchors GQ’s April issue, which spotlights Shawn Carter’s three-decade career, tracing his rise since the release of Reasonable Doubt, his debut studio album. After years of limited public commentary, the artist delivers an expansive reflection on music, family and wealth, while reassessing the pressures of fame and longevity in the industry.

GQ0426 Cover
Presenting the April issue of GQ Magazine: Shawn Carter reflects on 30 years of Jay-Z.

In the interview, which spans several hours, the Roc Nation founder criticized the escalating tone of rap rivalries in the social media era, arguing that disputes that once remained largely artistic now risk broader personal and reputational damage. He pointed in particular to references to family members, saying such tactics undermine the competitive ethos historically central to hip-hop.

Jay-Z framed his comments within a broader critique of how digital platforms amplify conflict, suggesting the fallout from high-profile disputes may outweigh their cultural value. He also raised concerns about diminishing accountability in a fast-moving media environment, noting that “everything is so instant” and consequences are often overlooked.

Coat by Giorgio Armani. Sweater by Factor’s. Pants by Dolce & Gabbana. Shoes (throughout) by Dries Van Noten. Socks (throughout) by Falke. Sunglasses by Mykita. Bracelet, his own. Ring by Graff.
Coat by Giorgio Armani. Sweater by Factor’s. Pants by Dolce & Gabbana. Shoes (throughout) by Dries Van Noten. Socks (throughout) by Falke. Sunglasses by Mykita. Bracelet, his own. Ring by Graff.

The rapper, who previously engaged in a high-profile feud with Nas, said his perspective reflects both experience and evolving views on the industry. He added that heightened fan polarization and online discourse have intensified divisions, at times shifting focus from music to personal character.

Separately, Jay-Z addressed a sexual-assault lawsuit filed against him in 2025, describing the experience as emotionally taxing and deeply personal. He reiterated that the allegations were false and said he rejected the option of a financial settlement despite potential legal and reputational costs.

“I can’t take a settlement—it ain’t in my DNA,” he said, adding that he would “die” before agreeing to such terms. He described the period as “really hard,” citing anger and heartbreak as he navigated the fallout.

Jacket and pants by Tom Ford. Sweater by Zegna. His own watch by Rolex. Necklace by Maggi Simpkins. Bracelet, stylists’ own.
Jacket and pants by Tom Ford. Sweater by Zegna. His own watch by Rolex. Necklace by Maggi Simpkins. Bracelet, stylists’ own.

Jay-Z also highlighted the impact on his family, including his wife, Beyoncé, and said he relied on close partners for support during the process.

The interview comes ahead of scheduled performances at major U.S. venues, including Yankee Stadium, and offers a rare public assessment from one of the industry’s most influential figures on both the state of hip-hop culture and the personal stakes of legal disputes in the public eye.

Read the full interview here.

Written by
OORO GEORGE -

Ooro George is a correspondent at Business Today, where he covers business, media, arts & culture, entertainment, and Africa’s evolving creative economy.

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