Zum C is a young, dynamic musician who’s carving out his lane with a sound that blends Afro-pop and old-school urban Kenyan music and honest street soul.
We caught up with him for a deep dive into his journey, hustle, and the dreams that keep him grinding.
- Tell us about your music journey?
My music journey has been a real rollercoaster — full of ups, downs, detours and moments that made me question everything. I started off through freestyle sessions with my boys in the estate. From there, I began writing my own songs, hitting random studios in town, and posting snippets online. It’s been pure grind, passion and faith since day one.
- What kind of music do you do?
I’d say my sound is a fusion of Afro-pop, old school Kenyan vibes, and a bit of soul. I like to keep it real and relatable storytelling through music. One minute I’m dropping a club banger that gets people on their feet, and the next I’m singing about life struggles in the hood. I’m all about versatility, but always with a Kenyan flavor.
- Who are your musical influences?
Internationally, I look up to Burna Boy, because of how he blends culture and sound effortlessly. Locally, I really respect artists like Sauti Sol, Nyashinski, and Nameless, each for different reasons. Sauti Sol for their consistency and global vision, Nyash for his lyrical depth, and Nameless for keeping it raw and authentic. I think Nameless is best artiste we have produced in the last two decades. His stage presence is unrivalled and his songs are timeless classics.
- How do you deal with challenges and criticism in the industry?
I’ve learned to develop thick skin. Not everyone will vibe with your art, and that’s okay. I try to take in constructive criticism and grow from it, but I also stay grounded by surrounding myself with real ones my team, my family, and my day ones. They keep me focused and humble.
- 5. What’s your take on the Kenyan music industry right now?
I honestly feel like we’re in a creative renaissance. There’s so much talent out here producers, videographers, stylists, and artistes all putting in work. What we need now is more support from the media, better structures, and for us as artists to unite more. Kenyan music is global-ready, we just need to believe in our own and push together. At the same time, if you study the industry well, you will see an oscillating pattern, whereby we have some subgenres with short shelf life. It started with Gengetone and now we are seeing Arbantone rapidly on descent. I mean, when was the last time we had a hit from Kenya that went regional? When I was new in the industry, there is a time Nameless shared an advice on bubblegum music and why it does not last and that is something I took to heart.
- Any upcoming projects we should watch out for?
For sure! I’m working on an EP dropping mid-year, but now it’s called Mtaa Dreams, and it’s a mix of bangers and conscious tracks. I’ve also got some collabos with both local and East African artists, plus a few visuals dropping soon. Just know this year, I’m outside heavy!
- Tell us about your hustle away from music
Outside music, I’m all about the grind. I am a business men dealing with beef products. From steaks, Oxtails to skins. I have been operating from Burma market and recently I went digital where I have a virtual butchery and do home deliveries.
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